Jemma thought that witnessing a birth ought to make a person exactly the opposite of horny. The rush of blood and fluid; the bitter odors; the screaming of a mother arrived too late for an epidural; and worst of all, the hideous dilation, the vagina that permitted the entrance of hands and arms and instruments sized and shaped more appropriately for barbeque than surgery, and disgorged the bloody cantaloupe. They should freeze you up, but they never froze her up, and sometimes, like on the night of the great storm, they put the need in her. So she found herself distracted by thoughts of Rob Dickens even at the most challenging and complicated delivery of her third-year medical student career: a gruesome baby born to a gruesome mother. The child, the expression of a jumble of chromosomal additions and deletions so unique that she was her very own syndrome, was hideous—too long and too short, too wide and too thin, with things that were not eyes where her eyes ought to have been, and a cuttlefish mouth—but she seemed sweet to Jemma, who stood over her among the white-suited pediatricians, a fellow, a resident, and an intern. Her cry was more dulcet than any Jemma had ever heard, probably because she was half dead and lacked the energy to voice a truly irritating scream. "Rub," Jemma's senior resident said to her, because she was only blotting at the wet baby with her towel. The mother was lovely in her flesh but seemed deformed in her soul. She shouted curses at her child while the anesthesiologist, scowling, pushed white, milky propofol into her veins, trying to shut her up. Not even her epithets and her screams cooled Jemma. Rob Dickens was not among the pediatricians in their bunny suits—one raised a laryngoscope with a flourish like a hoodlum clicking out a folding knife and then swooped in to intubate the now quiet and rather blue baby—but she knew where he was, waiting with the other students, residents, and staff for this unfortunately interesting case to arrive across the glass hall that connected the county hospital to the children's hospital.
While she ought to have been calculating one-minute apgars for the child, she pictured Rob Dickens in his scrubs, his arms naked almost to the shoulder. When the resident asked her for the score she blushed and fumbled in her mind for the number, forgetting the categories—tone, cry, grimace, color, and what else? Not grace, not style, not symmetry, but these were what she thought of. The resident—a third-year named Natalie famous for the black cloud of acuity that hovered over her call nights—stared at Jemma coolly over her surgical mask, and Jemma remembered to count the heartbeat. She reached out to pinch the umbilicus and feel the pulse, much slower than her own, which always raced when she was mortified by the ignorance and confusion she manifested when faced with one of these student tasks. "Four," she said at last.
"Generous," said Natalie, and turned her attention fully to the task of bag-ventilating the infant. Despite the sedatives, the mother was still telling them to kill the baby with a knife, with a brick, with a smothering pillow. She sat up suddenly, an obscene apparition, hauling herself up by her knees, her perfect, unnatural breasts glaring over the sterile blue drape, a tongue of clotted blood lolling out of her vagina. She calmed briefly and spoke in sane, gentle tones. "Just do it now, before she gets us. It's easy now but it won't always be so easy." She reached out, grabbing for the instrument tray, until two nurses pushed her back. Jemma thought of Rob, pacing with his hands folded on top of his head, like he always did when he was impatient for a particular thing to happen. She thought of his arms again. She didn't have to close her eyes to be able to see them.
"Let's go," said Natalie. She jerked her head imperiously at her intern, Dr. Chandra, who had got his stethoscope caught up in the oxygen tubing and was trying to untangle it. Natalie looked back expectantly at the fellow, Emma, who gave one sharp nod to indicate her blessing. They moved out of the operating room and down the long beige halls of the county hospital. Patients, women walking in the hope of accelerating their labor, spun out of their way as the team raced along, Emma pushing the isolette, Natalie bagging, and Dr. Chandra still trying to untangle his stethoscope. Jemma, not a good hurrier, trailed after the isolette. It had been part of the reason she failed her surgery rotation, this reluctance to hustle, and even when her grade was at stake she could never bring herself to be snappy, or do that wiggling power walk on rounds, or even run full-out to a code or a trauma—if you were too fast, after all, you got there first. She ran a few steps, then slowed, then ran again. As they approached the bridge, Natalie called back to her to get the door, since Dr. Chandra had also entangled his name tag and calculator in the mess of tubing.
Jemma ran ahead to slap the giant steel button that opened the doors. They swung out leisurely, opening on the storm that flashed and raged around the glass hall. The team pushed through even before the doors were fully open. Jemma ran ahead again, meaning to slap the far button with the same authority and force with which she'd hit the near one, but she tripped, then rolled fast and heavy into the door. Natalie yelled, "Get out of the way!" Jemma hit the button and the second set of doors swung open, less leisurely than those at the other end of the hall, but not fast. She scooted on her bottom, pushed aside by the door and finally wedged against the glass wall as the isolette flew past. Lightning arched overhead and showed her a vast parking lot, empty except for a few dozen dead cars stranded in water up to their headlights.
The lightning passed, and then the glass wall showed Jemma her own haggard face. Nursery call was beginning to wear on her. They were always flying to one delivery or another, back and forth across this sky bridge at all hours of the morning, day, and night. Here in a hospital that attracted the riskiest pregnancies, the ones that ended with the expulsion of a half dead baby, there was no rest for a person afflicted with a delivery pager. Jemma rose and leaned against the glass, closing her eyes and imagining that the little creature in her high-tech bassinet was wheeling away at a thousand miles an hour, on her way to Heaven instead of a hell of needles and tubes. When the lightning flashed again in the sky she opened her eyes and saw how the rain was falling in sheets. "All pediatricians are nice," Rob had told her two weeks before, on the evening before the rotation started. "These are going to be the best six weeks of your life."
"What am I doing here?" she asked herself softly, not for the first time wondering what she was doing in the hospital at four in the morning, what she was doing training for a profession to which she felt no true calling, doing work she knew she could tolerate but never love. She pressed her head further into the glass, conscious of but not caring about the security camera recording her episode of self-pity. She was imagining again the other professions she might have pursued—airline pilot, horticulturist, tomb raider—when a terrible noise, a nasty, wet slap, startled her. She leaped away from the glass and saw the bird: the tremendous wind had blown a gull against the bridge. Its beady eye caught and held hers, and it opened and closed its mouth four times, thrusting out its red tongue in a gesture both exhausted-looking and suggestive, before the wind lifted it and sent it sliding over the arch of the glass to spin away into the darkness.
Jemma had lived in the city three years and never seen a storm like this. Rob had lived there all his life and judged this one pretty tame so far. They'd walked that morning from her apartment to the hospital complex, Jemma soaking her scrub pants to the knees when she waded through puddles in her rubber clogs. The hospital was just a big white lump in the rain, its lofty spirals and curling edges obscured, so it looked to Jemma like it was melting, and she wondered if they would even have found their way there if not for the giant round lights on the roof.
She turned away from the glass and kicked the big silver button to open the doors, then passed into the children's hospital. As many times as she'd passed from the hospital behind her into the hospital before her, she was still struck by the change. The beige walls of the adult hospital were replaced by a motley of primary color, linoleum the color of bile turned to firm carpet printed with hopscotch numbers, and the path to the NICU was laid out in the tiniest footprints. Jemma followed them, thinking as she walked how they might have been left by some impossibly toddling preemie—they were as red as the bloody red feet of a twenty-four-weeker, one of those unfinished things whose skin slipped off between your fingers if you pinched too hard. She walked past the giant pictures on the walls, six-foot by four-foot photos of healthy children at play. She thought it strange to hang pictures like these in a place where sick children lived, as if to scream at them: Look what you're missing. Closer to the unit the pictures gave way to magnified newspaper articles detailing the triumphant progress made by the hospital in saving smaller and smaller babies. One sentence, picked out in bold beneath a photo of Dr. Bump, one of the supreme neonatologists, always caught her eye: One day we'll be able to save the ones so small you can't even see them. Jemma raised a hand to flick him in his nose as she passed—he was famously cruel to students and had just that week made her friend Vivian cry secret, locked-in-the-bathroom tears. Jemma pressed her ID badge to a sensor by the double doors of the unit and they opened with a hiss. The hall inside was quiet, but she could see through another set of doors into the first bay, where a cluster of doctors, nurses, and technicians were gathered around a bed she knew must be the new baby's. She strode past the nurses lounging and gossiping in the hall, making her face a mask of purpose to discourage them from challenging her, like they usually did, with "Are you lost, sweetie?" Inside the bay, she was shooed into a corner. She watched the muttering cluster of bodies around the bed until it disgorged Rob, who clutched an endotracheal tube forlornly as he sidled up next to her, touching her arm with his arm.
"I was supposed to get to do the UA catheter, but then Natalie did it. Like she needed to do another one—she's only done a million of them. I was supposed to get to intubate after she pulled out her tube, but then they wouldn't let me intubate a baby with a cleft palate. Chandra did it, or he tried. When he screwed it up, Emma took over. I didn't do anything. Why am I even here?" He shook his head. "Did you know that she's the daughter of a king?" Jemma nodded. It was common knowledge: this baby's father was some sort of latter-day satrap, a king of the East who had fetched himself a blond, horse-toothed bride from a women's college in New Jersey. The hospital attracted these stories. The giant-headed, cancerous, rotting offspring of the wealthy and fabulous mingled with the children whose living and lineage were common but whose diseases were so exclusive they were, if not entirely unique, limited to a select handful of sufferers. They came from all over the country and the world to put themselves at the mercy of bright minds.
"Come with me," Jemma said. "I need you." He watched her finger as she raised it very slowly to place it on top of her head. It was not a seductive or even graceful maneuver, but he started at it, his eyes widened, and he looked back and forth from Jemma to the baby to Jemma again. "Come on," she said.
He lifted the ET tube toward her and shook it once, looked back again at the baby and smiled. "I don't know," he said.
"You said it yourself," she said. "Why are you here?" She turned her leg out, wondering as she did it why she was presenting him with her beefy hip. It was not her best feature, and if he had ever praised it, it was only when he was drunk or utterly overcome with lust.
"Maybe we shouldn't."
"Maybe not," she said, but she put her finger on her head again, and stood there a moment with her hip thrust out and her foot extended—it was the pose of a retarded ballerina, but it was all it took to get him to follow her out.
They know where we are going, and they know what we are going to do, Jemma thought as they passed by the nurses' station. It always seemed to her that people must know, and yet she was sure that nobody did. There were stories told of promiscuous decades long past, where people fucked madly in call rooms, operating rooms, or under the beds of the comatose, but she had never heard of it happening this year, or in this new hospital, not yet even a year old. The first time had been just two weeks before, at the beginning of the rotations that had landed them in the children's hospital with the same call schedule. He had comforted her with it when Jemma came seeking him after her first delivery, a harrowing festival of abuse where it seemed that everyone had yelled at her for her incompetence: the obstetric and pediatric residents when she fumbled and nearly dropped the slimy baby; the baby's mother, understandably cranky but too shrill, really, for any occasion save her own stabbing death; and even the baby himself, who parted his blue lips to caw at her, and who shat tarry meconium down her shirt. She cleaned up in Rob's call room and he met her with a towel when she came out of the shower, rubbing her beyond dry. They considered, before formally beginning it, that they should not, and before continuing and finishing had a brief conversation in which they decided that they should not continue, let alone finish. That night, and again on their second and third call nights, Jemma had said, "We had better not ever do this again," and he had said, "Not here, anyway."
But it always seemed like such a good idea when they did it, and it never took much more than their prearranged signal—the single finger placed on top of the head—to get him to agree. And it hardly seemed so bad, even after they finished and lay panting against each other, face to face, both staring guiltily at their pagers as if inviting from them a shrill, musical reprimand. There were worse things one could be doing. There were a multitude of drugs available for the consumption of the enterprising medical student—Rob was a competent enough hacker and Jemma a thief with long childhood experience, and not even the monolithic pyxis system that guarded every medication would have been able to withstand them if they had chosen to shoot up some propofol or snort morphine or place a row of fentanyl patches along their spines. They could be exceeding their authority in all sorts of ways—more a temptation for Rob than for Jemma—by attempting complicated procedures without supervision. There were babies they could have been dropping and children whose unshielded eyes might cry to a more sinister couple to be plucked out and parents vulnerable to lies and rumors of cure or of death. There was mischief worse than kissing Rob and lifting off his shirt. She was reluctant to give up his lips but eager to bare his belly and his chest, and because she would not pull her mouth away from his he left the shirt hanging, a collar around his neck. It was nothing to hand each other the gift of a screwing, and more than nothing. It was a great thing, and the greatest thing—not the end of the world but a way to put the world utterly at bay and escape momentarily and intermittently from her awful past, her anxious present, and her dispiriting future, a way to escape from the hospital, a way to not be here—to undo the pink cord that held up his scrubs, pull down his pants, sing out the long O, and fall on him with her mouth.
Their courtship was complicated. Long before he transferred into her class in their second year of medical school she had become convinced that everyone she loved was required by fate or God to die, and what could be more logical than that the wages of death should be loneliness? First her brother had died. When he was seventeen and she was fourteen he killed himself in a ritual of superhuman agony, leaving behind his burnt, partially dismembered body and a book that Jemma could hardly stand to read, though she understood that it was written more for her than for anyone else. She threw it in the Severn River a month after Calvin died.
Her father died next, eaten up swiftly by lung cancer. His first symptom—a fine tremor in his surgeon's hand—came in the summer when Jemma was seventeen. By January he was bedridden. By April he was delirious, mets in his brain having displaced the tissues that formerly had made a home for his reason. By July he could not speak, but only cried out when something frightened him, and spent whole afternoons in his living-room bed, reaching for invisible things in the air around his head.
"Free at last!" her mother said, after her father was dead. He had never had any time for her, and they had married for all the wrong reasons, or for no reason at all, and she was twenty-one years tired of his selfishness and his mean drunks and his mighty fists, though really it was his blood more than hers that Jemma always found herself encountering in the aftermath of one of their great fights. It would leap out at her against the bright green linoleum of the kitchen floor, or else she would tread in it walking down the dark hallway outside their bedroom, or it would be there in the morning, a pattern on the wall above the breakfast table, spread by a blow to the head with the great bedpost-sized pepper shaker that her mother could wield with the speed and skill of a ninja assassin. There was always a shape to find in the blood, spread into swirls and smears in a clumsy, drunken clean-up, birds and bones and the delicate reaching leaves of a fern. But even so her mother had taken the tenderest care of him in his illness. Calvin would have said that she loved him best when he was utterly at her mercy.
Free at last, her mother planned a trip around the world, and Jemma was not invited. "I'll come back with your new daddy," she said, calling Jemma at school on the eve of her departure. "Mr. Belvedere will be his name-o." It was only six o'clock but she was ten p.m. drunk.
"Have a good time," Jemma said. "Send lots of postcards."
"I may not have time for postcards. I'm going to be awfully busy living for myself for the first time in my fucking life."
"I'm glad for you," was all Jemma said. But though her mother really had bought a round-the-world airplane ticket, and though she had planned the trip in painstaking detail with a dog-faced travel agent named Sue, and though she had packed six months' worth of safari clothes and sensible shoes, she never went on the trip. Instead, not long after hanging up with Jemma, she set fire to their house and burned herself up with it. I didn't see her do it, but I can imagine it as well as Jemma could: her mother settled calmly in the kitchen chair where she was accustomed to do her drinking, smoking with her eyes closed while the walls burned. She left no note.
Three deaths should have been enough to demonstrate Jemma's danger, but they only made her suspect the horrible truth. It was easy to say instead that insanity and bad genes and tobacco were to blame. Three deaths hurried her more resolutely into the arms of her lover, a boy named Martin Marty who she'd been dating since they were in tenth grade. "We are already a family now," he said to her one night not long after her mother's funeral, because ever since Calvin he was always saying things meant to comfort her which only ended up horrifying her. He drove home drunk from a New Year's party when they were juniors in college and was killed in a collision with a tree. Even then, she didn't understand, and when the knowledge came, it was in slow bits, accretions that rose a little higher every day in her mind until they spelled out the shape and the letter of her doom. One day she woke up crying and knew it for sure: everyone she had loved was dead, and everyone she loved would die.
So she promised herself she wouldn't speak to Rob Dickens—she could see her crush as a black affliction hovering over him, and knew it was only wanted for her to speak to him before it would settle. She had so many graves available for swearing on, but that would be no use; she already knew herself for an oath-breaker, tried and untrue. She watched him during lectures, and watched him run by her apartment every morning, knowing she should avert her eyes, and yet she stared at him brazenly, dreadful window whore, and engaged him in weeks of abbreviated morning conversation. She swore she would not go out with him, if he should ask, but when he did ask she said yes without hesitation. And she took a solemn vow not to kiss him, but compelled by necessity, she did that, too. Outside her house, after dinner, she stood above him on a step and bent her head down to put her mouth on his. It was not a chaste kiss. It was very familiar, so intimate it was almost gruesome. She thought about his dinner the whole time she kissed him, the way he had eaten it, the way his thick wrist poked out of his shirt cuff when he cut his meat. She had not tasted veal since she was in fifth grade, when Emma Rose McBurney detailed the sad fate of a veal calf for her, and showed her a movie after school. Jemma had wept at the enormous cruelty of veal, and sworn never to eat it again. But she tasted it in his mouth that night, and on his breath when he blew it into her lungs. She pulled away, gasped a little, and coughed.
"Goodnight!" she said, and ran away upstairs and into her apartment, where a roach was waiting for her, perched on the counter in the little kitchen set in a corner of her living room. It was a great big bug, black as the blackest beetle, and as she stood in the door watching it watch her, her imagination invested it with a parental mixture of fury and concern. Its wriggling antennae were signing to her. Where have you been? it demanded. What were you doing? She hated roaches, but she was afraid to kill it because she suspected it might contain the soul of her first lover—somehow it seemed most likely to be him, and not her brother or her father or her mother. Spiders, frogs, little reptiles—all creatures that horrified her—any of them might contain that soul wandered back to be near her, and so she was gentle toward them. The roach skibbled down a cabinet and ran at her. When she fled it pursued her down the hall, running not just on the floor but on the walls and the ceiling in a big loose spiral. She got to her bedroom, slammed the door and stared anxiously at the space underneath it. It was big enough to admit two roaches, one piggybacking on top of the other, but the roach didn't come in. He never came into her bedroom—they seemed to have an agreement about that. Still, she imagined him scolding her from the other side of the door, just like a parent might. What were you thinking? he asked. Are you trying to kill him?
From her window she peeped down at the sidewalk. Rob wasn't there, but she thought she could see his wide, handsome back retreating over the bridge across the street. It spanned a little horseshoe-shaped canal, which many decades before had been a swimming hole, but now was too toxic for bathing. He lived only a few blocks away. If he ran home along the top of the thin railing that kept children from falling into the poisoned waters, it would not be a surprise, because it was his habit to leap up on things, and to test his balance against ledges and curbs and sills. And if he fell into the water and drowned, it would not be a surprise, because she had imperiled him with her kiss.
She lay down on her narrow bed, the same one upon which she'd been sleeping since she was five years old, on the old mattress that still bore the deep impression of the much fatter body she used to inhabit, and she dreamed of veal. In her sleep she followed the weeping of a calf through gray half-darkness, until she found its miserable stall. It cried with the voice of a human child. She knelt to quiet it, saying, There, there, little one, it will be all right. But she knew it would die to please the appetites of man. She cried, ashamed of how she had lied to it, and it began to comfort her. Its little hoof stroked her head, and its soft lips kissed her cheek and her mouth. In a little while longer they were making out, she and the veal calf. Its thick, nimble tongue darted over her own and made her mouth an organ of intense pleasure.
She woke up feeling dizzy and hungover, though she'd had only a single glass of wine the night before. Her mouth tasted like veal, and her room smelled of it. She felt sure that she must have been panting through her mouth the whole night long, polluting her room with the odor of cruel meat. She went to the window to get a breath of untainted air. It was almost seven o'clock, time for him to come running by. He would be wet from the running, and she would think, as she always did, about how it had always seemed to her that people looked better when they were wet, and she would remember ducking repeatedly into the bathroom in high school, where she would wet down her hair in the hope of improving her looks. She'd felt beautiful just once in her life, caught in a rainstorm with her first lover. In the middle of a busy sidewalk he'd kissed her and, with his hand cradling her head, had squeezed out a flood of water from her hair. When it fell down her neck, under her collar, she felt it even over the pouring rain.
She stood at the window, looking back and forth between her clock and the street. At exactly seven he came running over the bridge. He stopped at the bottom of her stoop, and shaded his eyes against the sun to look up at her. "Hi there!" he called up. She could feel her four dead standing behind her, and hear them calling down, Welcome to the family!
Please, she said to them. She was supposed to close her shutters and go sit on her bed, and consider how she had done the right thing, but instead she just stood there, staring at him stupidly until he asked her for another date.
"What kind of doctor do you want to be?" she asked him, surely a first-date question, but she didn't ask it until that night, over dinner at a vegetarian restaurant.
"The nice kind," he said.
"Are there other kinds?"
"Medicine brings out the worst in a person."
"I don't think so. Do you really think so?"
"Maybe," he said. "But think about it. You see people at their absolute worst, and all your own personal failings—your weakness, your stupidity, your laziness—show up in their continuing decline. And even if you make them better, they just come back, sicker and needier."
He looked down at his plate, quietly scooping and dumping his fancy macaroni and cheese with a big spoon. "It's a privilege to see people at their worst," she told him, which was something her father liked to say. "You seem nice enough still."
"I'm already corrupted," he said.
"You still smell good, though," she said without thinking about it, and blushed furiously. "I mean, if you were really corrupt you'd smell like bad meat or old yogurt or…" She put a carrot in her mouth so she would stop talking.
"How about you?" he asked her.
"Oh yes, very corrupt."
"I mean what do you want to end up doing?"
"Surgery," she said. "Surgery, surgery—my dad was a surgeon."
"A legacy of corruption," he said, smiling. Now he had insulted her—reason enough to throw a carrot at him but not reason enough to kill him; still she just sat there, anxious and admiring. He had very large hands.
She took the vow again: no kisses. And she further swore that when he tried to kiss her, she would hold up her hand and drop her chin. She had practiced the gesture in front of her mirror, shaped her smile until she thought it could only be interpreted as regretful and demure, and practiced the backward walk. "I can't," she'd said to her reflection. "I just can't," words chosen because they were truthful and because they seemed most likely to cause the least hurt. Hand still in the air, she'd walk backward toward her door, not speaking, not answering him if he spoke, then go upstairs to sit at her kitchen table and watch the roach shiver with delight when she told him how it was all over.
The roach was waiting for them when she led Rob upstairs. Not five feet from the door, it seemed to be settling its weight impatiently back and forth from one set of legs to the other. "I'll get it," said Rob, and took a step forward to stomp the bug. Jemma threw her whole body into him and pushed him off balance. He stumbled across the room and fell, striking his head on the soft edge of the couch. The roach fled.
"Sorry!" she said, speaking to him and the roach both. "Sorry!" He'd apologized just like that when she ducked away from his goodnight kiss. She had raised her hand in the practiced gesture of final forbidding, but rather than make the gesture she thought she wanted—stop, go away, we can't do this—it had fastened on his hot ear and drawn his face to hers. Sprawled by the couch, he lay very still for a moment, and she worried that he was dead already. When she helped him up she kept her hand in his and drew him back to her bedroom.
Was the thumping noise the bedpost knocking on her wall, or was it the roach throwing himself in fury against her door? She'd sealed up the crack with a towel so he couldn't intrude if anger drove him to break their unspoken agreement, but she could hear him in the guttural utterances that issued from her new friend, deep, groaning syllables that rearranged themselves in her head into words—what are you doing, what are you doing, and then what have you done?
"I can't see you anymore," she told him the next day. It was easier to say than she'd anticipated that it would be. The words came out of her mouth in a smooth, fluid rush.
On the bridge across the canal, she was walking him home, he on the railing but holding on to her hand. When she was small she'd walked that way with her mother, her mother's arm lending her balance, and the rail or bench elevating her so they were equally tall. But the rail made him much taller than Jemma, and he was too sure of his balance to need a loan from her.
"Don't say that," he said. The sun was just behind him, so his head seemed replaced by a ball of flame. She closed her eyes against him and saw not just the blinking orange globe but his face, too, in disappointed afterimage.
"I can't see you anymore," she said again, not opening her eyes but stepping back and pulling her hand free.
"Why not?"
"Because," she said.
"What did I do?"
"Nothing," she said. "It's just a bad idea. No, just that… it's just impossible, is all."
"Why?"
"Because it is."
"But it isn't," he said. She didn't reply, and they stood facing each other in silence. She opened her eyes one at a time, just peeping at first, thinking he might be gone, but he still stood there looking down at her with his arms folded across his chest. People passed them, single or in pairs or accompanied by dogs, and some stared curiously.
"Look," he said finally, "it's always impossible, isn't it? This is impossible, but happens anyway. Watch." He swung his arms behind him, then brought them forward over his head, and the rest of his body followed, first his belly, then his thighs, and then his feet flying up not a foot from her nose, making a breeze that she felt against her ears. He flipped full around once and landed solidly on the rail. It was perfectly done. He would not have fallen if Jemma hadn't grabbed at him and knocked him off balance. She shrieked and put out both her hands to pull him in, but she only succeeded in pushing him into the pond. He looked distinctly surprised and even betrayed as he fell, but made no sound as he went into the water.
Now I've done it, she thought calmly, but not resisting an urge to pull miserably at her face. A vision flashed in her head of his very white bones surfacing in the acid water and bobbing about a little before dissolving into pink, marrowy foam.
"I made it!" he called up to her. "I had it landed before you pushed me!" She ran off down the bridge, meaning to run entirely out of his life. He could suffer a collision with her and not die for it. He would suffer this little damage and then go on living. Goodbye, goodbye! she called out in her head as she ran, imagining the other woman he would find. She would be prettier than Jemma but stupider, and she would be the type of woman compelled to uncover the past lovers of her lovers. When she heard the story of Jemma's behavior she would be utterly unable to fathom it.
"I'm only calling," she told him four days later, "to tell you I can never see you again. And to tell you to stop calling me every day."
"Okay," he said.
"It makes me embarrassed for you," she said. "All the messages."
"Yes. Will you see me tonight?"
"Of course," she said, meaning to say, of course she would like to, but she certainly could not. But he had hung up and was already on his way to the bridge. When he stood under her window and called for her she went down to him, a voice in her head as she went down the stairs—her mother's or her brother's or her father's or her lover's—remarking how her resolve was as sturdy as a peeled banana.
But I like him, she said to herself, to them, slowing on the curving steps.
It doesn't matter.
And he likes me, I think.
It doesn't matter.
And I need him.
Who's to say what's necessary? What's your need compared to his life?
You're just being superstitious.
Is it superstition to insist that the sun rises in the East?
Shut up! she said, not out loud—she wasn't that crazy. Though she could call them out of the dark to stand silently around her bed, and though they were the constant companions of her dreams, and though she still consulted her mother on which days were skirt days and which days were pants days, and exalted with her brother in a great high or a stupendous drunk, and though she continued to have imaginary, masturbatory sex with her departed lover, she knew they weren't real when they stood before her on the last four steps, raising their hands in the gesture she had practiced: stop, no more, go back upstairs. Four is enough, her father said. She passed right through them.
She thought that she might catch the roach and set it free outside, but it hid from her whenever she sought it. A few times, studying on her couch, she felt watched, and looked up to see it on the counter, waving its antennae as if in admonition or warning. When she chased it, it evaded her easily. Her best opportunity to banish it was whenever Rob Dickens came for her. The roach was always waiting near the door, but if she caught it she'd have to spirit it past him, or else hold it in her purse until there was a time in their evening when she could set free. The dinnertime disaster had already played a few times in her head: her purse carelessly closed; a tickle on her leg, belly, breast and neck; the roach emerging from around her ear to perch on her head and regard the endangered rival; the screams of the waitress.
He was a candle lover. They gave his bedroom the air of a chamber of sacrifice; they were all around his bed, in free-standing iron sconces, on the nightstands and dresser, in an enormous chandelier brought back from a year in Belgium. When they were all lit, the room was almost as bright as a hospital hallway. It was the bedroom of a priest, or a ritual murderer, and laying eyes upon it she'd had a surge of hope, that he might be crazy, too. Always she required him to extinguish some, so the light became gentler. When she looked at him his dripping face wavered with the light, and it became the face of her first. He spoke her name to her, but she never answered with his, for fear of a mix-up.
Sound asleep in her new lover's bed, she dreamed of her old lover. She stood on a corner well away from her parents' house, waiting for him to pick her up. It was one of their routines—she'd sneak out her window and fleetly step down the birch tree that grew next to the house and she'd wait for him at the top of the hill. He drove up like he always did, but his dream car was the ruined image of his waking car, and he was a ruined image of himself.
Get in, he told her, and she did, folding herself tight to squeeze under the sagging roof.
You're late, she said.
Let's not put this on me, he said. Let's put this where it belongs. Do you have any idea what you're doing?
Don't you yell at me, she said, like she had when he was alive.
Do you have any idea? Any idea at all? Is there even a brain in your head?
Don't yell at her, said a voice from the back. She looked there and saw her brother, folded up even more extremely than she was. His blue eyes seemed to glow in the dark car. He was whole, not cut or burned or twisted.
Who the fuck asked you?
Slow down, said Jemma, because while her attention had shifted to the back of the car the landscape had changed, and now they were hurling down foggy roads lined with trees covered with dying, hand-shaped leaves.
Are you out of your fucking mind? asked Martin. He let go of the wheel so he could gesticulate wildly at her, and they ran headlong into a tree. She was thrown from the car, or else the car evaporated—she found herself seated on the cool ground watching the tree they'd hit. It was on fire. The hand-shaped leaves were lifted off by the flames and went spinning up into the sky. What is it? asked her brother. What is beautiful about him?
Rob Dickens was mumbling next to her ear when she woke. He was a sleep-talker. She had already spent a night or two listening closely to his rambling, thinking he might disclose to her some sort of fascinating personal secret, but what he said was only gibberish. He owned an emperor-sized bed, abducted, like the chandelier, out of Belgium. Why a Belgian should require such a large bed, she could not figure—she had had the idea since kindergarten that tiny people lived in tiny countries—unless it was for the reason she required that night, so that she could remove herself to a great distance and yet still be in bed with him. She slid to the very edge of the bed and watched him sleep. She strained her eye in the dark to follow the line of his body from his toe to his head, and then she sought to penetrate his face and his very mind with her gaze, all the while asking herself, what is not beautiful about him?
He opened his eyes as she watched him.
"What are you doing?" he asked.
"Nothing," she said. He put his hand out to her, not reaching her despite the length of his arm.
"Come here."
"No," she said, and considered, not for the last time, how she was bad for him. "You will always know," Sister Gertrude had told her class of trembling third-graders. "You will always know the wrong thing, and choose it freely." Sister Gertrude was a million years away now; all that time had made her pathetic and small—she was just a nun-shaped nubbin on a chain of nun-nubbins hung in a chain around her dead brother's neck. But Jemma really had always known the wrong thing, and chosen it, and so she chose it now. Angels should be singing, or devils shrieking, or the walls should shake. No, no no no! cried her ghosts, but she quieted them. What was true to her she put away for what was sensible. What was safe she put away for what would put him at risk. What was lonely, what would redeem her, what would have made her the saint of her own obsession, she put away for selfish need, or for love. She took his reaching hand.
With her mouth engaged she looked through his legs at the lightning in the window. It flashed through the water—falling so heavily against the glass that she was reminded of the time they'd made out in a car wash—and cast their shadow on the wall of the darkened room. She paused to catch her breath and turned her face to the wall, to see the curious silhouette, the way his neck and shoulders grew out from between her thighs, and how his legs, thrust out from her shoulders so they looked in shadow like her third and fourth arms, shuddered and waved. She turned her attention back to him, but still cast glances synchronous with the lightning so she could see how they made insects, trees, and Eastern deities on the wall, until they rolled off the bed and his mouth came inching up her body, to find her own mouth. Then she only saw his face, closer and closer. When the lightning flashed again she imagined it echoing in the globe of his eye.
Strange, certainly, that witnessing a delivery should make her need this, but stranger still that she should try to ruin the joy of it with dark thoughts. Always when they were together like this, especially when they were desperately and ferociously together like this, when she really ought not to have the capacity to consider anything but the immediacy of her overwhelming pleasure, still the greater portion of her thought, even as she and Rob clawed and pulled at one another, and stood, and lay down, and stood up, and squatted, and knelt, and stood again, was devoted to her brother, her parents, and her first lover. She had used to think that her ghosts presented themselves in her mind to warn her—again and again and again, every day and night of her life forever and forever—of the obvious: that everyone she loved must die. Then she wondered if they might not be spectators at fleshly events to which they could never again be party, and she found herself savoring the tastes and collisions and knotty tensions for their sake. And finally she knew it was because they were always with her that they were with her at this seemingly most inappropriate time, and it was only her own perverse will that called them out of memory to present themselves. But now she could get it over in a flash, the thought of them. As swiftly as if they were handing her off from each to each in a frenetic dance she passed among them—father, mother, lover, brother. She spent an instant at each funeral and saw her parents' caskets, and she saw the box that hid her brother's ashes, all that was left after the butchery he performed upon himself. And she saw her lover's face, marred by the obscene reconstructions of the mortician. His eyes had been left open at his weird mother's request. Jemma had been sure he'd winked at her as the casket was closed.
Rob pressed his forehead against hers, so hard she thought their heads must break into each other, and their brains would mix like yolks. "Come back," he said.
It called to Jemma's mind a spinning fun-house trick room, the way they rolled along the walls. It would not have surprised her too much to open her eyes and discover herself pinned against the ceiling by Rob's handsome hips. They rolled against the door. After a little while, when she heard a new noise, she thought at first it was her foot fluttering against the wood, but it was somebody knocking. They grew still, and Jemma wondered if the door was locked. The knock came again, louder and more forceful. The door handle jiggled, and a voice called through the door. "Hello? Is anyone inside? I left my pencil case." For what seemed like five whole minutes the person worked the handle. Is it so difficult to understand, Jemma wondered, when a door is locked? And then she wondered who carried pencil cases out of sixth grade, anyhow.
Rob arched his back and neck to look at her—he was myopic and not wearing his glasses. While the door handle rattled he lifted a hand and ran his finger down her forehead, over her nose, mouth, and chin, down her neck and chest and stomach until his finger was resting exactly in her belly button. Even after the person on the other side of the door finally gave up, Rob regarded her silently.
"What?" she whispered, and he brought his face so close to hers that the sweat rolling off her nose clung briefly to his before falling to strike her foot. "I love you," he said. Oh no. You are over that, Jemma. There's no harm in this, and no mischief, and O I will fill chapters in the Book of the King's Daughter with all the evil things you and he could be doing now, and though God is even now raising His hand to strike the world, it is not to punish your pleasure, or because a good man loves you, or because you love him, or because you have angered your dead, or betrayed the dreadful imaginary empiricisms that support your depressing logic. Fine, swallow your words—that low, warbling groan contains the same number of syllables as I love you, and it's close enough for Rob. Fine, spike your delight with dread, but don't stop, please don't stop now.
Fine orgasms recalled others. She was not a person who reflected all the next day on the pleasure, and wasted hours on the daydreamy wanting of it. But as she approached the finish with Rob Dickens, she thought of the time with her first lover when she had been sure she'd briefly felt all he felt, and had been disappointed at what he got, because it seemed so small, a spasm that satisfied for less than a second and left behind a terrible need. She thought of the time in college she'd stepped ever-so-carefully home after a night of drinking mushroom tea with her friend Vivian and a set of silly girls from her organic chemistry class. She'd spent the dawn hours with a banana and an imaginary creature she named the Monkey King. And what she thought was her first, when she was still in grade school, in a dream, when Jesus had floated down from Heaven to become a pure white glow beneath her sheets.
Now she bent down on the floor in a compact posture of worship. Rob was behind her. He was unable to keep silent. She heard his singing moan with utter clarity—it struck a chord in her and increased her pleasure—but kept silent herself, helped by the Hello Kitty pencil case, found under the bed, which she'd wedged in her mouth. She could feel the pencils roll and crunch under her teeth as she got closer, and she could still hear the thunder rolling, though the lightning had stopped. "I'm right there," said Rob. "I'm right there."
When Jemma looked up toward the window she saw that it was entirely black, blank even of the washing rain. She felt suddenly lifted up, as if someone were tossing her high in the air, or like she was riding an elevator at insane speeds thousands of feet into the sky. It was almost unbearable, and she cried out, despite her best efforts to keep silent. She got lost briefly, imagining herself bursting apart in a most agreeable explosion. She watched calmly as forty little Jemmas (she had time to count them) went flying out on curling tracks, trailing fairy-dust sparkles out of their bottoms. They faded, except for one, who calmly regarded Jemma with a face that became the face of the King's Daughter, wise and malformed. It stared and stared until Jemma opened her eyes.
"Oh God," Rob said, then leaned forward over her, pressing his chest against her back, his face into her neck, and placing his hands around her belly.
"What's happening?" Jemma asked, confused now, and a little nauseated because the lifted sensation was still with her. She felt them being drawn higher and higher. The window was a slate; it did not reflect them when they rose unsteadily on their cramped legs to try to look through it. Then they were lifted with a new force, so hard and fast that they fell down and lay together with their faces pressed against the carpet. She knew quite certainly that something horrible was happening, and that it was all her fault—I got him, after all, she thought, and, Here it is, and, How stupid, to think it could end anyway but like this. She heard a voice, courteous and mechanical, and certainly a voice apart from the babbling chorus in her head. It said, "Creatures, I am the preserving angel. Fear not, I will keep you. Fear not, I will protect you. Fear not, you will bide with me. Fear not, I will carry you into the new world."