书城公版The Professor at the Breakfast Table
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第23章

A very forlorn-looking person, dressed in black, with a white neckcloth, sent her a memoir of a child who died at the age of two years and eleven months, after having fully indorsed all the doctrines of the particular persuasion to which he not only belonged himself, but thought it very shameful that everybody else did not belong.What with foreboding looks and dreary death-bed stories, it was a wonder the child made out to live through it.It saddened her early years, of course,--it distressed her tender soul with thoughts which, as they cannot be fully taken in, should be sparingly used as instruments of torture to break down the natural cheerfulness of a healthy child, or, what is infinitely worse, to cheat a dying one out of the kind illusions with which the Father of All has strewed its downward path.

The child would have died, no doubt, and, if properly managed, might have added another to the long catalogue of wasting children who have been as cruelly played upon by spiritual physiologists, often with the best intentions, as ever the subject of a rare disease by the curious students of science.

Fortunately for her, however, a wise instinct had guided the late Latin tutor in the selection of the partner of his life, and the future mother of his child.The deceased tutoress was a tranquil, smooth woman, easily nourished, as such people are,--a quality which is inestimable in a tutor's wife,--and so it happened that the daughter inherited enough vitality from the mother to live through childhood and infancy and fight her way towards womanhood, in spite of the tendencies she derived from her other parent.

--Two and two do not always make four, in this matter of hereditary descent of qualities.Sometimes they make three, and sometimes five.

It seems as if the parental traits at one time showed separate, at another blended,--that occasionally, the force of two natures is represented in the derivative one by a diagonal of greater value than either original line of living movement,--that sometimes there is a loss of vitality hardly to be accounted for, and again a forward impulse of variable intensity in some new and unforeseen direction.

So it was with this child.She had glanced off from her parental probabilities at an unexpected angle.Instead of taking to classical learning like her father, or sliding quietly into household duties like her mother, she broke out early in efforts that pointed in the direction of Art.As soon as she could hold a pencil she began to sketch outlines of objects round her with a certain air and spirit.

Very extraordinary horses, but their legs looked as if they could move.Birds unknown to Audubon, yet flying, as it were, with a rush.

Men with impossible legs, which did yet seem to have a vital connection with their most improbable bodies.By-and-by the doctor, on his beast,--an old man with a face looking as if Time had kneaded it like dough with his knuckles, with a rhubarb tint and flavor pervading himself and his sorrel horse and all their appurtenances.

A dreadful old man! Be sure she did not forget those saddle-bags that held the detestable bottles out of which he used to shake those loathsome powders which, to virgin childish palates that find heaven in strawberries and peaches, are-- Well, I suppose I had better stop.

Only she wished she was dead sometimes when she heard him coming.

On the next leaf would figure the gentleman with the black coat and white cravat, as he looked when he came and entertained her with stories concerning the death of various little children about her age, to encourage her, as that wicked Mr.Arouet said about shooting Admiral Byng.Then she would take her pencil, and with a few scratches there would be the outline of a child, in which you might notice how one sudden sweep gave the chubby cheek, and two dots darted at the paper looked like real eyes.

By-and-by she went to school, and caricatured the schoolmaster on the leaves of her grammars and geographies, and drew the faces of her companions, and, from time to time, heads and figures from her fancy, with large eyes, far apart, like those of Raffaelle's mothers and children, sometimes with wild floating hair, and then with wings and heads thrown back in ecstasy.This was at about twelve years old, as the dates of these drawings show, and, therefore, three or four years before she came among us.Soon after this time, the ideal figures began to take the place of portraits and caricatures, and a new feature appeared in her drawing-books in the form of fragments of verse and short poems.

It was dull work, of course, for such a young girl to live with an old spinster and go to a village school.Her books bore testimony to this; for there was a look of sadness in the faces she drew, and a sense of weariness and longing for some imaginary conditions of blessedness or other, which began to be painful.She might have gone through this flowering of the soul, and, casting her petals, subsided into a sober, human berry, but for the intervention of friendly assistance and counsel.

In the town where she lived was a lady of honorable condition, somewhat past middle age, who was possessed of pretty ample means, of cultivated tastes, of excellent principles, of exemplary character, and of more than common accomplishments.The gentleman in black broadcloth and white neckerchief only echoed the common voice about her, when he called her, after enjoying, beneath her hospitable roof, an excellent cup of tea, with certain elegancies and luxuries he was.