["Where thou wilt, they won't; where thou wilt not, they spontaneously agree; they are ashamed to go in the permitted path."--Terence, Eunuchus, act iv., sc. 8, v 43]
What better interpretation can we make of Messalina's behaviour? She, at first, made her husband a cuckold in private, as is the common use; but, bringing her business about with too much ease, by reason of her husband's stupidity, she soon scorned that way, and presently fell to making open love, to own her lovers, and to favour and entertain them in the sight of all: she would make him know and see how she used him. This animal, not to be roused with all this, and rendering her pleasures dull and flat by his too stupid facility, by which he seemed to authorise and make them lawful; what does she? Being the wife of a living and healthful emperor, and at Rome, the theatre of the world, in the face of the sun, and with solemn ceremony, and to Silius, who had long before enjoyed her, she publicly marries herself one day that her husband was gone out of the city. Does it not seem as if she was going to become chaste by her husband's negligence? or that she sought another husband who might sharpen her appetite by his jealousy, and who by watching should incite her? But the first difficulty she met with was also the last: this beast suddenly roused these sleepy, sluggish sort of men are often the most dangerous: I have found by experience that this extreme toleration, when it comes to dissolve, produces the most severe revenge; for taking fire on a sudden, anger and fury being combined in one, discharge their utmost force at the first onset, "Irarumque omnes effundit habenas:"
["He let loose his whole fury."--AEneid, xii. 499.] he put her to death, and with her a great number of those with whom she had intelligence, and even one of them who could not help it, and whom she had caused to be forced to her bed with scourges.
What Virgil says of Venus and Vulcan, Lucretius had better expressed of a stolen enjoyment betwixt her and Mars:
"Belli fera moenera Mavors Armipotens regit, ingremium qui saepe tuum se Rejictt, aeterno devinctus vulnere amoris ............................
Pascit amore avidos inhians in te, Dea, visus, Eque tuo pendet resupini spiritus ore Hunc tu, Diva, tuo recubantem corpore sancto Circumfusa super, suaveis ex ore loquelas Funde."
["Mars, the god of wars, who controls the cruel tasks of war, often reclines on thy bosom, and greedily drinks love at both his eyes, vanquished by the eternal wound of love: and his breath, as he reclines, hangs on thy lips; bending thy head over him as he lies upon thy sacred person, pour forth sweet and persuasive words."--Lucretius, i. 23.]
When I consider this rejicit, fiascit, inhians, ynolli, fovet, medullas, labefacta, pendet, percurrit, and that noble circumfusa, mother of the pretty infuses; I disdain those little quibbles and verbal allusions that have since sprung up. Those worthy people stood in need of no subtlety to disguise their meaning; their language is downright, and full of natural and continued vigour; they are all epigram; not only the tail, but the head, body, and feet. There is nothing forced, nothing languishing, but everything keeps the same pace:
"Contextus totes virilis est; non sunt circa flosculos occupati."
["The whole contexture is manly; they don't occupy themselves with little flowers of rhetoric."--Seneca, Ep., 33.]
'Tis not a soft eloquence, and without offence only; 'tis nervous and solid, that does not so much please, as it fills and ravishes the greatest minds. When I see these brave forms of expression, so lively, so profound, I do not say that 'tis well said, but well thought. 'Tis the sprightliness of the imagination that swells and elevates the words:
"Pectus est quod disertum Tacit."
["The heart makes the man eloquent."--Quintilian, x. 7.]
Our people call language, judgment, and fine words, full conceptions.
This painting is not so much carried on by dexterity of hand as by having the object more vividly imprinted in the soul. Gallus speaks simply because he conceives simply: Horace does not content himself with a superficial expression; that would betray him; he sees farther and more clearly into things; his mind breaks into and rummages all the magazine of words and figures wherewith to express himself, and he must have them more than ordinary, because his conception is so. Plutarch says' that he sees the Latin tongue by the things: 'tis here the same: the sense illuminates and produces the words, no more words of air, but of flesh and bone; they signify more than they say. Moreover, those who are not well skilled in a language present some image of this; for in Italy I said whatever I had a mind to in common discourse, but in more serious talk, I durst not have trusted myself with an idiom that I could not wind and turn out of its ordinary pace; I would have a power of introducing something of my own.
The handling and utterance of fine wits is that which sets off language; not so much by innovating it, as by putting it to more vigorous and various services, and by straining, bending, and adapting it to them.
They do not create words, but they enrich their own, and give them weight and signification by the uses they put them to, and teach them unwonted motions, but withal ingeniously and discreetly. And how little this talent is given to all is manifest by the many French scribblers of this age: they are bold and proud enough not to follow the common road, but want of invention and discretion ruins them; there is nothing seen in their writings but a wretched affectation of a strange new style, with cold and absurd disguises, which, instead of elevating, depress the matter: provided they can but trick themselves out with new words, they care not what they signify; and to bring in a new word by the head and shoulders, they leave the old one, very often more sinewy and significant than the other.