Anybody may pass, any day, in the thronged thoroughfares of the metropolis, some meagre, wrinkled, yellow old man (who might be supposed to have dropped from the stars, if there were any star in the Heavens dull enough to be suspected of casting off so feeble a spark), creeping along with a scared air, as though bewildered and a little frightened by the noise and bustle. This old man is always a little old man. If he were ever a big old man, he has shrunk into a little old man; if he were always a little old man, he has dwindled into a less old man. His coat is a colour, and cut, that never was the mode anywhere, at any period. Clearly, it was not made for him, or for any individual mortal. Some wholesale contractor measured Fate for five thousand coats of such quality, and Fate has lent this old coat to this old man, as one of a long unfinished line of many old men. It has always large dull metal buttons, similar to no other buttons. This old man wears a hat, a thumbed and napless and yet an obdurate hat, which has never adapted itself to the shape of his poor head. His coarse shirt and his coarse neckcloth have no more individuality than his coat and hat; they have the same character of not being his--of not being anybody's. Yet this old man wears these clothes with a certain unaccustomed air of being dressed and elaborated for the public ways; as though he passed the greater part of his time in a nightcap and gown. And so, like the country mouse in the second year of a famine, come to see the town mouse, and timidly threading his way to the town-mouse's lodging through a city of cats, this old man passes in the streets.
Sometimes, on holidays towards evening, he will be seen to walk with a slightly increased infirmity, and his old eyes will glimmer with a moist and marshy light. Then the little old man is drunk.
A very small measure will overset him; he may be bowled off his unsteady legs with a half-pint pot. Some pitying acquaintance--chance acquaintance very often--has warmed up his weakness with a treat of beer, and the consequence will be the lapse of a longer time than usual before he shall pass again. For the little old man is going home to the Workhouse; and on his good behaviour they do not let him out often (though methinks they might, considering the few years he has before him to go out in, under the sun); and on his bad behaviour they shut him up closer than ever in a grove of two score and nineteen more old men, every one of whom smells of all the others.
Mrs Plornish's father,--a poor little reedy piping old gentleman, like a worn-out bird; who had been in what he called the music-binding business, and met with great misfortunes, and who had seldom been able to make his way, or to see it or to pay it, or to do anything at all with it but find it no thoroughfare,--had retired of his own accord to the Workhouse which was appointed by law to be the Good Samaritan of his district (without the twopence, which was bad political economy), on the settlement of that execution which had carried Mr Plornish to the Marshalsea College.
Previous to his son-in-law's difficulties coming to that head, Old Nandy (he was always so called in his legal Retreat, but he was Old Mr Nandy among the Bleeding Hearts) had sat in a corner of the Plornish fireside, and taken his bite and sup out of the Plornish cupboard. He still hoped to resume that domestic position when Fortune should smile upon his son-in-law; in the meantime, while she preserved an immovable countenance, he was, and resolved to remain, one of these little old men in a grove of little old men with a community of flavour.
But no poverty in him, and no coat on him that never was the mode, and no Old Men's Ward for his dwelling-place, could quench his daughter's admiration. Mrs Plornish was as proud of her father's talents as she could possibly have been if they had made him Lord Chancellor. She had as firm a belief in the sweetness and propriety of his manners as she could possibly have had if he had been Lord Chamberlain. The poor little old man knew some pale and vapid little songs, long out of date, about Chloe, and Phyllis, and Strephon being wounded by the son of Venus; and for Mrs Plornish there was no such music at the Opera as the small internal flutterings and chirpings wherein he would discharge himself of these ditties, like a weak, little, broken barrel-organ, ground by a baby. On his 'days out,' those flecks of light in his flat vista of pollard old men,' it was at once Mrs Plornish's delight and sorrow, when he was strong with meat, and had taken his full halfpenny-worth of porter, to say, 'Sing us a song, Father.' Then he would give them Chloe, and if he were in pretty good spirits, Phyllis also--Strephon he had hardly been up to since he went into retirement--and then would Mrs Plornish declare she did believe there never was such a singer as Father, and wipe her eyes.
If he had come from Court on these occasions, nay, if he had been the noble Refrigerator come home triumphantly from a foreign court to be presented and promoted on his last tremendous failure, Mrs Plornish could not have handed him with greater elevation about Bleeding Heart Yard. 'Here's Father,' she would say, presenting him to a neighbour. 'Father will soon be home with us for good, now. Ain't Father looking well? Father's a sweeter singer than ever; you'd never have forgotten it, if you'd aheard him just now.'
As to Mr Plornish, he had married these articles of belief in marrying Mr Nandy's daughter, and only wondered how it was that so gifted an old gentleman had not made a fortune. This he attributed, after much reflection, to his musical genius not having been scientifically developed in his youth. 'For why,' argued Mr Plornish, 'why go a-binding music when you've got it in yourself?
That's where it is, I consider.'