书城公版The Heritage of Dedlow Marsh
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第31章 I(3)

The next afternoon found him installed. Yet, after he had unpacked his modest possessions and put them away, after he had placed his few books on the shelves, where they looked glaringly trivial and frivolous beside the late tenant's severe studies; after he had set out his scanty treasures in the way of photographs and some curious mementoes of his wandering life, and then quickly put them back again with a sudden angry pride at exposing them to the unsympathetic incongruity of the other ornaments, he, nevertheless, felt ill at ease. He glanced in vain around the pretty room. It was not the delicately flowered wall-paper; it was not the white and blue muslin window-curtains gracefully tied up with blue and white ribbons; it was not the spotless bed, with its blue and white festooned mosquito-net and flounced valances, and its medallion portrait of an unknown bishop at the back; it was not the few tastefully framed engravings of certain cardinal virtues, "The Rock of Ages," and "The Guardian Angel"; it was not the casts in relief of "Night" and "Morning"; it was certainly not the cosy dimity-covered arm-chairs and sofa, nor yet the clean-swept polished grate with its cheerful fire sparkling against the chill afternoon sea-fogs without; neither was it the mere feminine suggestion, for that touched a sympathetic chord in his impulsive nature; nor the religious and ascetic influence, for he had occupied a monastic cell in a school of the padres at an old mission, and slept profoundly;--it was none of those, and yet a part of all. Most habitations retain a cast or shell of their previous tenant that, fitting tightly or loosely, is still able to adjust itself to the newcomer; in most occupied apartments there is still a shadowy suggestion of the owner's individuality; there was nothing here that fitted Bly--nor was there either, strange to say, any evidence of the past proprietor in this inhospitality of sensation. It did not strike him at the time that it was this very LACK of individuality which made it weird and unreal, that it was strange only because it was ARTIFICIAL, and that a REAL Tappington had never inhabited it.

He walked to the window--that never-failing resource of the unquiet mind--and looked out. He was a little surprised to find, that, owing to the grading of the house, the scrub-oaks and bushes of the hill were nearly on the level of his window, as also was the adjoining side street on which his second door actually gave.

Opening this, the sudden invasion of the sea-fog and the figure of a pedestrian casually passing along the disused and abandoned pavement not a dozen feet from where he had been comfortably seated, presented such a striking contrast to the studious quiet and cosiness of his secluded apartment that he hurriedly closed the door again with a sense of indiscreet exposure. Returning to the window, he glanced to the left, and found that he was overlooked by the side veranda of another villa in the rear, evidently on its way to take position on the line of the street. Although in actual and deliberate transit on rollers across the backyard and still occulting a part of the view, it remained, after the reckless fashion of the period, inhabited. Certainly, with a door fronting a thoroughfare, and a neighbor gradually approaching him, he would not feel lonely or lack excitement.

He drew his arm-chair to the fire and tried to realize the all-pervading yet evasive Tappington. There was no portrait of him in the house, and although Mrs. Brooks had said that he "favored" his sister, Bly had, without knowing why, instinctively resented it.

He had even timidly asked his employer, and had received the vague reply that he was "good-looking enough," and the practical but discomposing retort, "What do you want to know for?" As he really did not know why, the inquiry had dropped. He stared at the monumental crystal ink-stand half full of ink, yet spotless and free from stains, that stood on the table, and tried to picture Tappington daintily dipping into it to thank the fair donors--"daughters of Rebecca." Who were they? and what sort of man would they naturally feel grateful to?

What was that?

He turned to the window, which had just resounded to a slight tap or blow, as if something soft had struck it. With an instinctive suspicion of the propinquity of the adjoining street he rose, but a single glance from the window satisfied him that no missile would have reached it from thence. He scanned the low bushes on the level before him; certainly no one could be hiding there. He lifted his eyes toward the house on the left; the curtains of the nearest window appeared to be drawn suddenly at the same moment.

Could it have come from there? Looking down upon the window-ledge, there lay the mysterious missile--a little misshapen ball. He opened the window and took it up. It was a small handkerchief tied into a soft knot, and dampened with water to give it the necessary weight as a projectile.

Was it apparently the trick of a mischievous child? or--But here a faint knock on the door leading into the hall checked his inquiry. He opened it sharply in his excitement, and was embarrassed to find the daughter of his hostess standing there, shy, startled, and evidently equally embarrassed by his abrupt response.

"Mother only wanted me to ask you if Ellen had put everything to rights," she said, making a step backwards.

"Oh, thank you. Perfectly," said Herbert with effusion. "Nothing could be better done. In fact"--"You're quite sure she hasn't forgotten anything? or that there isn't anything you would like changed?" she continued, with her eyes leveled on the floor.

"Nothing, I assure you," he said, looking at her downcast lashes.

As she still remained motionless, he continued cheerfully, "Would you--would you--care to look round and see?""No; I thank you."