Arriving at the house, the young people ascended the outer flight of wooden steps, which bore an odd likeness to the companion-way of a vessel, and the gallery, or 'deck,' as it was called--where a number of nets, floats, and buoys thrown over the railing completed the nautical resemblance. This part of the building was evidently devoted to kitchen, dining-room, and domestic offices; the principal room in the centre serving as hall or living-room, and communicating on the other side with two sleeping apartments. It was of considerable size, with heavy lateral beams across the ceiling--built, like the rest of the house, with a certain maritime strength--and looked not unlike a saloon cabin. An enormous open Franklin stove between the windows, as large as a chimney, blazing with drift-wood, gave light and heat to the apartment, and brought into flickering relief the boarded walls hung with the spoils of sea and shore, and glittering with gun-barrels. Fowling-pieces of all sizes, from the long ducking-gun mounted on a swivel for boat use to the light single-barrel or carbine, stood in racks against the walls; game-bags, revolvers in their holsters, hunting and fishing knives in their sheaths, depended from hooks above them.
In one corner stood a harpoon; in another, two or three Indian spears for salmon. The carpetless floor and rude chairs and settles were covered with otter, mink, beaver, and a quantity of valuable seal-skins, with a few larger pelts of the bear and elk.
The only attempt at decoration was the displayed wings and breasts of the wood and harlequin duck, the muir, the cormorant, the gull, the gannet, and the femininely delicate half-mourning of petrel and plover, nailed against the wall. The influence of the sea was dominant above all, and asserted its saline odors even through the spice of the curling drift-wood smoke that half veiled the ceiling.
A berry-eyed old Indian woman with the complexion of dried salmon;her daughter, also with berry eyes, and with a face that seemed wholly made of a moist laugh; 'Yellow Bob,' a Digger 'buck,' so called from the prevailing ochre markings of his cheek, and 'Washooh,' an ex-chief; a nondescript in a blanket, looking like a cheap and dirty doll whose fibrous hair was badly nailed on his carved wooden head, composed the Culpepper household. While the two former were preparing supper in the adjacent dining-room, Yellow Bob, relieved of his burden of game, appeared on the gallery and beckoned mysteriously to his master through the window. James Culpepper went out, returned quickly, and after a minute's hesitation and an uneasy glance towards his sister, who had meantime pushed back her sou'wester from her forehead, and without taking off her jacket had dropped into a chair before the fire with her back towards him, took his gun noiselessly from the rack, and saying carelessly that he would be back in a moment, disappeared.
Left to herself, Maggie coolly pulled off her long boots and stockings, and comfortably opposed to the fire two very pretty feet and ankles, whose delicate purity was slightly blue-bleached by confinement in the tepid sea-water. The contrast of their waxen whiteness with her blue woolen skirt, and with even the skin of her sunburnt hands and wrists, apparently amused her, and she sat for some moments with her elbows on her knees, her skirts slightly raised, contemplating them, and curling her toes with evident satisfaction. The firelight playing upon the rich coloring of her face, the fringe of jet-black curls that almost met the thick sweep of eyebrows, and left her only a white strip of forehead, her short upper lip and small chin, rounded but resolute, completed a piquant and striking figure. The rich brown shadows on the smoke-stained walls and ceiling, the occasional starting into relief of the scutcheons of brilliant plumage, and the momentary glitter of the steel barrels, made a quaint background to this charming picture.
Sitting there, and following some lingering memory of her tramp on the Marsh, she hummed to herself a few notes of the bugle call that had impressed her--at first softly, and finally with the full pitch of her voice.
Suddenly she stopped.
There was a faint and unmistakable rapping on the floor beneath her. It was distinct, but cautiously given, as if intended to be audible to her alone. For a moment she stood upright, her feet still bare and glistening, on the otter skin that served as a rug.
There were two doors to the room, one from which her brother had disappeared, which led to the steps, the other giving on the back gallery, looking inland. With a quick instinct she caught up her gun and ran to that one, but not before a rapid scramble near the railing was followed by a cautious opening of the door. She was just in time to shut it on the extended arm and light blue sleeve of an army overcoat that protruded through the opening, and for a moment threw her whole weight against it.
"A dhrop of whiskey, Miss, for the love of God."She retained her hold, cocked her weapon, and stepped back a pace from the door. The blue sleeve was followed by the rest of the overcoat, and a blue cap with the infantry blazoning, and the letter H on its peak. They were for the moment more distinguishable than the man beneath them--grimed and blackened with the slime of the Marsh. But what could be seen of his mud-stained face was more grotesque than terrifying. A combination of weakness and audacity, insinuation and timidity struggled through the dirt for expression. His small blue eyes were not ill-natured, and even the intruding arm trembled more from exhaustion than passion.
"On'y a dhrop, Miss," he repeated piteously, "and av ye pleeze, quick! afore I'm stharved with the cold entoirely."She looked at him intently--without lowering her gun.
"Who are you?"