Their ships filled the Mediterranean, and they carried on an extensive commerce with Constantinople and Syria. Their warehouses were the great distributing depots from whence the costly merchandise of the East was sent abroad over Europe. They were warlike little nations and defied, in those days, governments that overshadow them now as mountains overshadow molehills. The Saracens captured and pillaged Genoa nine hundred years ago, but during the following century Genoa and Pisa entered into an offensive and defensive alliance and besieged the Saracen colonies in Sardinia and the Balearic Isles with an obstinacy that maintained its pristine vigor and held to its purpose for forty long years. They were victorious at last and divided their conquests equably among their great patrician families.
Descendants of some of those proud families still inhabit the palaces of Genoa, and trace in their own features a resemblance to the grim knights whose portraits hang in their stately halls, and to pictured beauties with pouting lips and merry eyes whose originals have been dust and ashes for many a dead and forgotten century.
The hotel we live in belonged to one of those great orders of knights of the Cross in the times of the Crusades, and its mailed sentinels once kept watch and ward in its massive turrets and woke the echoes of these halls and corridors with their iron heels.
But Genoa's greatness has degenerated into an unostentatious commerce in velvets and silver filagreework. They say that each European town has its specialty. These filagree things are Genoa's specialty. Her smiths take silver ingots and work them up into all manner of graceful and beautiful forms. They make bunches of flowers, from flakes and wires of silver, that counterfeit the delicate creations the frost weaves upon a windowpane;and we were shown a miniature silver temple whose fluted columns, whose Corinthian capitals and rich entablatures, whose spire, statues, bells, and ornate lavishness of sculpture were wrought in polished silver, and with such matchless art that every detail was a fascinating study and the finished edifice a wonder of beauty.
We are ready to move again, though we are not really tired yet of the narrow passages of this old marble cave. Cave is a good word--when speaking of Genoa under the stars. When we have been prowling at midnight through the gloomy crevices they call streets, where no footfalls but ours were echoing, where only ourselves were abroad, and lights appeared only at long intervals and at a distance, and mysteriously disappeared again, and the houses at our elbows seemed to stretch upward farther than ever toward the heavens, the memory of a cave I used to know at home was always in my mind, with its lofty passages, its silence and solitude, its shrouding gloom, its sepulchral echoes, its flitting lights, and more than all, its sudden revelations of branching crevices and corridors where we least expected them.
We are not tired of the endless processions of cheerful, chattering gossipers that throng these courts and streets all day long, either; nor of the coarse-robed monks; nor of the "Asti" wines, which that old doctor (whom we call the Oracle), with customary felicity in the matter of getting everything wrong, misterms "nasty." But we must go, nevertheless.
Our last sight was the cemetery (a burial place intended to accommodate 60,000 bodies), and we shall continue to remember it after we shall have forgotten the palaces. It is a vast marble colonnaded corridor extending around a great unoccupied square of ground; its broad floor is marble, and on every slab is an inscription--for every slab covers a corpse. On either side, as one walks down the middle of the passage, are monuments, tombs, and sculptured figures that are exquisitely wrought and are full of grace and beauty. They are new and snowy; every outline is perfect, every feature guiltless of mutilation, flaw, or blemish; and therefore, to us these far-reaching ranks of bewitching forms are a hundredfold more lovely than the damaged and dingy statuary they have saved from the wreck of ancient art and set up in the galleries of Paris for the worship of the world.
Well provided with cigars and other necessaries of life, we are now ready to take the cars for Milan.