书城公版The Magic Skin
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第20章 THE TALISMAN(20)

There was scarcely one of those present whose mind was not floundering by this time in the delights of chaos, where every spark of intelligence is quenched, and the body, set free from its tyranny, gives itself up to the frenetic joys of liberty. Some who had arrived at the apogee of intoxication were dejected, as they painfully tried to arrest a single thought which might assure them of their own existence; others, deep in the heavy morasses of indigestion, denied the possibility of movement. The noisy and the silent were oddly assorted.

For all that, when new joys were announced to them by the stentorian tones of the servant, who spoke on his master's behalf, they all rose, leaning upon, dragging or carrying one another. But on the threshold of the room the entire crew paused for a moment, motionless, as if fascinated. The intemperate pleasures of the banquet seemed to fade away at this titillating spectacle, prepared by their amphitryon to appeal to the most sensual of their instincts.

Beneath the shining wax-lights in a golden chandelier, round about a table inlaid with gilded metal, a group of women, whose eyes shone like diamonds, suddenly met the stupefied stare of the revelers. Their toilettes were splendid, but less magnificent than their beauty, which eclipsed the other marvels of this palace. A light shone from their eyes, bewitching as those of sirens, more brilliant and ardent than the blaze that streamed down upon the snowy marble, the delicately carved surfaces of bronze, and lit up the satin sheen of the tapestry.

The contrasts of their attitudes and the slight movements of their heads, each differing in character and nature of attraction, set the heart afire. It was like a thicket, where blossoms mingled with rubies, sapphires, and coral; a combination of gossamer scarves that flickered like beacon-lights; of black ribbons about snowy throats; of gorgeous turbans and demurely enticing apparel. It was a seraglio that appealed to every eye, and fulfilled every fancy. Each form posed to admiration was scarcely concealed by the folds of cashmere, and half hidden, half revealed by transparent gauze and diaphanous silk. The little slender feet were eloquent, though the fresh red lips uttered no sound.

Demure and fragile-looking girls, pictures of maidenly innocence, with a semblance of conventional unction about their heads, were there like apparitions that a breath might dissipate. Aristocratic beauties with haughty glances, languid, flexible, slender, and complaisant, bent their heads as though there were royal protectors still in the market.

An English-woman seemed like a spirit of melancholy--some coy, pale, shadowy form among Ossian's mists, or a type of remorse flying from crime. The Parisienne was not wanting in all her beauty that consists in an indescribable charm; armed with her irresistible weakness, vain of her costume and her wit, pliant and hard, a heartless, passionless siren that yet can create factitious treasures of passion and counterfeit emotion.

Italians shone in the throng, serene and self-possessed in their bliss; handsome Normans, with splendid figures; women of the south, with black hair and well-shaped eyes. Lebel might have summoned together all the fair women of Versailles, who since morning had perfected all their wiles, and now came like a troupe of Oriental women, bidden by the slave merchant to be ready to set out at dawn.

They stood disconcerted and confused about the table, huddled together in a murmuring group like bees in a hive. The combination of timid embarrassment with coquettishness and a sort of expostulation was the result either of calculated effect or a spontaneous modesty. Perhaps a sentiment of which women are never utterly divested prescribed to them the cloak of modesty to heighten and enhance the charms of wantonness.

So the venerable Taillefer's designs seemed on the point of collapse, for these unbridled natures were subdued from the very first by the majesty with which woman is invested. There was a murmur of admiration, which vibrated like a soft musical note. Wine had not taken love for traveling companion; instead of a violent tumult of passions, the guests thus taken by surprise, in a moment of weakness, gave themselves up to luxurious raptures of delight.

Artists obeyed the voice of poetry which constrains them, and studied with pleasure the different delicate tints of these chosen examples of beauty. Sobered by a thought perhaps due to some emanation from a bubble of carbonic acid in the champagne, a philosopher shuddered at the misfortunes which had brought these women, once perhaps worthy of the truest devotion, to this. Each one doubtless could have unfolded a cruel tragedy. Infernal tortures followed in the train of most of them, and they drew after them faithless men, broken vows, and pleasures atoned for in wretchedness. Polite advances were made by the guests, and conversations began, as varied in character as the speakers. They broke up into groups. It might have been a fashionable drawing-room where ladies and young girls offer after dinner the assistance that coffee, liqueurs, and sugar afford to diners who are struggling in the toils of a perverse digestion. But in a little while laughter broke out, the murmur grew, and voices were raised. The saturnalia, subdued for a moment, threatened at times to renew itself.

The alternations of sound and silence bore a distant resemblance to a symphony of Beethoven's.