VERONIQUE
There are, no doubt, many young girls in the world as pure as Veronique, but none purer or more modest. Her confessions might have surprised the angels and rejoiced the Blessed Virgin.
At sixteen years of age she was fully developed, and appeared the woman she was eventually to become. She was of medium height, neither her father nor her mother being tall; but her figure was charming in its graceful suppleness, and in the serpentine curves laboriously sought by painters and sculptors,--curves which Nature herself draws so delicately with her lissom outlines, revealed to the eye of artists in spite of swathing linen and thick clothes, which mould themselves, inevitably, upon the nude. Sincere, simple, and natural, Veronique set these beauties of her form into relief by movements that were wholly free from affectation. She brought out her "full and complete effect," if we may borrow that strong term from legal phraseology. She had the plump arms of the Auvergnat women, the red and dimpled hand of a barmaid, and her strong but well-shaped feet were in keeping with the rest of her figure.
At times there seemed to pass within her a marvellous and delightful phenomenon which promised to Love a woman concealed thus far from every eye. This phenomenon was perhaps one cause of the admiration her father and mother felt for her beauty, which they often declared to be divine,--to the great astonishment of their neighbors. The first to remark it were the priests of the cathedral and the worshippers with her at the same altar. When a strong emotion took possession of Veronique,--and the religious exaltation to which she yielded herself on receiving the communion must be counted among the strongest emotions of so pure and candid a young creature,--an inward light seemed to efface for the moment all traces of the small-pox. The pure and radiant face of her childhood reappeared in its pristine beauty.
Though slightly veiled by the thickened surface disease had laid there, it shone with the mysterious brilliancy of a flower blooming beneath the water of the sea when the sun is penetrating it. Veronique was changed for a few moments; the Little Virgin reappeared and then disappeared again, like a celestial vision. The pupils of her eyes, gifted with the power of great expansion, widened until they covered the whole surface of the blue iris except for a tiny circle. Thus the metamorphose of the eye, which became as keen and vivid as that of an eagle, completed the extraordinary change in the face. Was it the storm of restrained passions; was it some power coming from the depths of the soul, which enlarged the pupils in full daylight as they sometimes in other eyes enlarge by night, darkening the azure of those celestial orbs?
However that may be, it was impossible to look indifferently at Veronique as she returned to her seat from the altar where she had united herself with God,--a moment when she appeared to all the parish in her primitive splendor. At such moments her beauty eclipsed that of the most beautiful of women. What a charm was there for the man who loved her, guarding jealously that veil of flesh which hid the woman's soul from every eye,--a veil which the hand of love might lift for an instant and then let drop over conjugal delights! Veronique's lips were faultlessly curved and painted in the clear vermilion of her pure warm blood. Her chin and the lower part of her face were a little heavy, in the acceptation given by painters to that term,--a heaviness which is, according to the relentless laws of physiognomy, the indication of an almost morbid vehemence in passion. She had above her brow, which was finely modelled and almost imperious, a magnificent diadem of hair, voluminous, redundant, and now of a chestnut color.
From the age of sixteen to the day of her marriage Veronique's bearing was always thoughtful, and sometimes melancholy. Living in such deep solitude, she was forced, like other solitary persons, to examine and consider the spectacle of that which went on within her,--the progress of her thought, the variety of the images in her mind, and the scope of feelings warmed and nurtured in a life so pure.
Those who looked up from their lower level as they passed along the rue de la Cite might have seen, on all fine days, the daughter of the Sauviats sitting at her open window, sewing, embroidering, or pricking the needle through the canvas of her worsted-work, with a look that was often dreamy. Her head was vividly defined among the flowers which poetized the brown and crumbling sills of her casement windows with their leaded panes. Sometimes the reflection of the red damask window- curtains added to the effect of that head, already so highly colored; like a crimson flower she glowed in the aerial garden so carefully trained upon her window-sill.
The quaint old house possessed therefore something more quaint than itself,--the portrait of a young girl worthy of Mieris, or Van Ostade, or Terburg, or Gerard Douw, framed in one of those old, defaced, half ruined windows the brushes of the old Dutch painters loved so well.
When some stranger, surprised or interested by the building, stopped before it and gazed at the second story, old Sauviat would poke his head beyond the overhanging projection, certain that he should see his daughter at her window. Then he would retreat into the shop rubbing his hands and saying to his wife in the Auvergne vernacular:--"Hey! old woman; they're admiring your daughter!"
In 1820 an incident occurred in the simple uneventful life the girl was leading, which might have had no importance in the life of any other young woman, but which, in point of fact, did no doubt exercise over Veronique's future a terrible influence.