Listen, my boy; you must not be too reticent with me. I am half one of the family. I have known your uncle Ragon thirty-five years. I went to him in hob-nailed shoes, just as I came from my village. That place is called Les Tresorieres, but I can tell you that all my worldly goods were one louis, given me by my godmother the late Marquise d'Uxelles, a relation of Monsieur le Duc and Madame la Duchesse de Lenoncourt, who are now customers of ours. I pray every Sunday for her and for all her family; I send yearly to her niece in Touraine, Madame de Mortsauf, all her perfumery. I get a good deal of custom through them;
there's Monsieur de Vandenesse who spends twelve hundred francs a year with us. If I were not grateful out of good feeling, I ought to be so out of policy; but as for you Anselme, I wish you well for you own sake, and without any other thought."
"Ah, monsieur! if you will allow me to say so, you have got a head of gold."
"No, no, my boy, that's not it. I don't say that my head-piece isn't as good as another's; but the thing is, I've been honest,--
/tenaciously/! I've kept to good conduct; I never loved any woman except my wife. Love is a famous /vehicle/,--happy word used by Monsieur Villele in the tribune yesterday."
"Love!" exclaimed Popinot. "Oh, monsieur! can it be--"
"Bless me! there's Pere Roguin, on foot at this hour, at the top of the Place Louis XV. I wonder what he is doing there!" thought Cesar, forgetting all about Anselme and the oil of nuts.
The suspicions of his wife came back to his mind; and instead of turning in to the Tuileries Gardens, Birotteau walked on to meet the notary. Anselme followed his master at a distance, without being able to define the reason why he suddenly felt an interest in a matter so apparently unimportant, and full of joy at the encouragement he derived from Cesar's mention of the hob-nailed shoes, the one louis, and love.
In times gone by, Roguin--a large stout man, with a pimpled face, a very bald forehead, and black hair--had not been wanting in a certain force of character and countenance. He had once been young and daring;
beginning as a mere clerk, he had risen to be a notary; but at this period his face showed, to the eyes of an observer, certain haggard lines, and an expression of weariness in the pursuit of pleasure. When a man plunges into the mire of excesses it is seldom that his face shows no trace of it. In the present instance the lines of the wrinkles and the heat of the complexion were markedly ignoble. Instead of the pure glow which suffuses the tissues of a virtuous man and stamps them, as it were, with the flower of health, the impurities of his blood could be seen to master the soundness of his body. His nose was ignominiously shortened like those of men in whom scrofulous humors, attacking that organ, produce a secret infirmity which a virtuous queen of France innocently believed to be a misfortune common to the whole human race, for she had never approached any man but the king sufficiently near to become aware of her blunder. Roguin hoped to conceal this misfortune by the excessive use of snuff, but he only increased the trouble which was the principal cause of his disasters.
Is it not a too-prolonged social flattery to paint men forever under false colors, and never to reveal the actual causes which underlie their vicissitudes, caused as they so often are by maladies? Physical evil, considered under the aspect of its moral ravages, examined as to its influence upon the mechanism of life, has been perhaps too much neglected by the historians of the social kingdom. Madame Cesar had guessed the secret of Roguin's household.
From the night of her marriage, the charming and only daughter of the banker Chevrel conceived for the unhappy notary an insurmountable antipathy, and wished to apply at once for a divorce. But Roguin, happy in obtaining a rich wife with five hundred thousand francs of her own, to say nothing of expectations, entreated her not to institute an action for divorce, promising to leave her free, and to accept all the consequences of such an agreement. Madame Roguin thus became sovereign mistress of the situation, and treated her husband as a courtesan treats an elderly lover. Roguin soon found his wife too expensive, and like other Parisian husbands he set up a private establishment of his own, keeping the cost, in the first instance, within the limits of moderate expenditure. In the beginning he encountered, at no great expense, grisettes who were glad of his protection; but for the past three years he had fallen a prey to one of those unconquerable passions which sometimes invade the whole being of a man between fifty and sixty years of age. It was roused by a magnificent creature known as /la belle Hollandaise/ in the annals of prostitution, for into that gulf she was to fall back and become a noted personage through her death. She was originally brought from Bruges by a client of Roguin, who soon after left Paris in consequence of political events, presenting her to the notary in 1815. Roguin bought a house for her in the Champs-Elysees, furnished it handsomely, and in trying to satisfy her costly caprices had gradually eaten up his whole fortune.