" 'Sometimes I dream of inventing new ways of tenderness all my own, a secret which no other woman shall guess. A cold sweat breaks out over me at the thought that something may happen to prevent this morning. Oh, I would break with /him/ for good, if need was, but nothing here could possibly interfere; it would be from your side. Perhaps you may decide to go out, perhaps to go to see some other woman. Oh! spare me this Tuesday for pity's sake.
If you take it from me, Charles, you do not know what /he/ will suffer; I should drive him wild. But even if you do not want me, or you are going out, let me come, all the same, to be with you while you dress; only to see you, I ask no more than that; only to show you that I love you without a thought of self.
" 'Since you gave me leave to love you, for you gave me leave, since I am yours; since that day I loved and love you with the whole strength of my soul; and I shall love you for ever, for once having loved /you/, no one could, no one ought to love another.
And, you see, when those eyes that ask nothing but to see you are upon you, you will feel that in your Claudine there is a something divine, called into existence by you.
" 'Alas! with you I can never play the coquette. I am like a mother with her child; I endure anything from you; I, that was once so imperious and proud. I have made dukes and princes fetch and carry for me; aides-de-camp, worth more than all the court of Charles X. put together, have done my errands, yet I am treating you as my spoilt child. But where is the use of coquetry? It would be pure waste. And yet, monsieur, for want of coquetry I shall never inspire love in you. I know it; I feel it; yet I do as before, feeling a power that I cannot withstand, thinking that this utter self-surrender will win me the sentiment innate in all men (so /he/ tells me) for the thing that belongs to them.
"/Wednesday/.
" 'Ah! how darkly sadness entered my heart yesterday when I found that I must give up the joy of seeing you. One single thought held me back from the arms of Death!--It was thy will! To stay away was to do thy will, to obey an order from thee. Oh! Charles, I was so pretty; I looked a lovelier woman for you than that beautiful German princess whom you gave me for an example, whom I have studied at the Opera. And yet--you might have thought that I had overstepped the limits of my nature. You have left me no confidence in myself; perhaps I am plain after all. Oh! I loathe myself, I dream of my radiant Charles Edward, and my brain turns.
I shall go mad, I know I shall. Do not laugh, do not talk to me of the fickleness of women. If we are inconstant, /you/ are strangely capricious. You take away the hours of love that made a poor creature's happiness for ten whole days; the hours on which she drew to be charming and kind to all that came to see her! After all, you were the source of my kindness to /him/; you do not know what pain you give him. I wonder what I must do to keep you, or simply to keep the right to be yours sometimes. . . . When I think that you never would come here to me! . . . With what delicious emotion I would wait upon you!--There are other women more favored than I. There are women to whom you say, 'I love you.' To me you have never said more than 'You are a good girl.' Certain speeches of yours, though you do not know it, gnaw at my heart. Clever men sometimes ask me what I am thinking. . . . I am thinking of my self-abasement--the prostration of the poorest outcast in the presence of the Saviour.
"There are still three more pages, you see. La Palferine allowed me to take the letter, with the traces of tears that still seemed hot upon it! Here was proof of the truth of his story. Marcas, a shy man enough with women, was in ecstacies over a second which he read in his corner before lighting his pipe with it.
" 'Why, any woman in love will write that sort of thing!' cried La Palferine. 'Love gives all women intelligence and style, which proves that here in France style proceeds from the matter and not from the words. See now how well this is thought out, how clear-headed sentiment is'--and with that he reads us another letter, far superior to the artificial and labored productions which we novelists write.
"One day poor Claudine heard that La Palferine was in a critical position; it was a question of meeting a bill of exchange. An unlucky idea occurred to her; she put a tolerably large sum in gold into an exquisitely embroidered purse and went to him.
" 'Who has taught you as to be so bold as to meddle with my household affairs?' La Palferine cried angrily. 'Mend my socks and work slippers for me, if it amuses you. So!--you will play the duchess, and you turn the story of Danae against the aristocracy.'
"He emptied the purse into his hand as he spoke, and made as though he would fling the money in her face. Claudine, in her terror, did not guess that he was joking; she shrank back, stumbled over a chair, and fell with her head against the corner of the marble chimney-piece. She thought she should have died. When she could speak, poor woman, as she lay on the bed, all that she said was, 'I deserved it, Charles!'
"For a moment La Palferine was in despair; his anguish revived Claudine. She rejoiced in the mishap; she took advantage of her suffering to compel La Palferine to take the money and release him from an awkward position. Then followed a variation on La Fontaine's fable, in which a man blesses the thieves that brought him a sudden impulse of tenderness from his wife. And while we are upon this subject, another saying will paint the man for you.