书城公版PROTAGORAS
5656400000015

第15章

And they met together and dedicated in the temple of Apollo at Delphi, as the first-fruits of their wisdom, the far-famed inions, which are in all men's mouths-"Know thyself," and "Nothing too much."Why do I say all this? I am explaining that this Lacedaemonian brevity was the style of primitive philosophy. Now there was a saying of Pittacus which was privately circulated and received the approbation of the wise, "Hard is it to be good." And Simonides, who was ambitious of the fame of wisdom, was aware that if he could overthrow this saying, then, as if he had won a victory over some famous athlete, he would carry off the palm among his contemporaries. And if I am not mistaken, he composed the entire poem with the secret intention of damaging Pittacus and his saying.

Let us all unite in examining his words, and see whether I am speaking the truth. Simonides must have been a lunatic, if, in the very first words of the poem, wanting to say only that to become good is hard, he inserted (men) "on the one hand" ["on the one hand to become good is hard"]; there would be no reason for the introduction of (men), unless you suppose him to speak with a hostile reference to the words of Pittacus. Pittacus is saying "Hard is it to be good," and he, in refutation of this thesis, rejoins that the truly hard thing, Pittacus, is to become good, not joining "truly" with "good," but with "hard." Not, that the hard thing is to be truly good, as though there were some truly good men, and there were others who were good but not truly good (this would be a very simple observation, and quite unworthy of Simonides); but you must suppose him to make a trajection of the word "truly," construing the saying of Pittacus thus (and let us imagine Pittacus to be speaking and Simonides answering him): "O my friends," says Pittacus, "hard is it to be good," and Simonides answers, "In that, Pittacus, you are mistaken; the difficulty is not to be good, but on the one hand, to become good, four-square in hands and feet and mind, without a flaw-that is hard truly." This way of reading the passage accounts for the insertion of (men) "on the one hand," and for the position at the end of the clause of the word "truly," and all that follows shows this to be the meaning. A great deal might be said in praise of the details of the poem, which is a charming piece of workmanship, and very finished, but such minutiae would be tedious. I should like, however, to point out the general intention of the poem, which is certainly designed in every part to be a refutation of the saying of Pittacus. For he speaks in what follows a little further on as if he meant to argue that although there is a difficulty in becoming good, yet this is possible for a time, and only for a time. But having become good, to remain in a good state and be good, as you, Pittacus, affirm, is not possible, and is not granted to man; God only has this blessing;"but man cannot help being bad when the force of circumstances overpowers him." Now whom does the force of circumstance overpower in the command of a vessel?-not the private individual, for he is always overpowered; and as one who is already prostrate cannot be overthrown, and only he who is standing upright but not he who is prostrate can be laid prostrate, so the force of circumstances can only overpower him who, at some time or other, has resources, and not him who is at all times helpless. The descent of a great storm may make the pilot helpless, or the severity of the season the husbandman or the physician; for the good may become bad, as another poet witnesses:

The good are sometimes good and sometimes bad.

But the bad does not become bad; he is always bad. So that when the force of circumstances overpowers the man of resources and skill and virtue, then he cannot help being bad. And you, Pittacus, are saying, "Hard is it to be good." Now there is a difficulty in becoming good; and yet this is possible: but to be good is an impossibility-For he who does well is the good man, and he who does ill is the bad.

But what sort of doing is good in letters? and what sort of doing makes a man good in letters? Clearly the knowing of them. And what sort of well-doing makes a man a good physician? Clearly the knowledge of the art of healing the sick. "But he who does ill is the bad."Now who becomes a bad physician? Clearly he who is in the first place a physician, and in the second place a good physician; for he may become a bad one also: but none of us unskilled individuals can by any amount of doing ill become physicians, any more than we can become carpenters or anything of that sort; and he who by doing ill cannot become a physician at all, clearly cannot become a bad physician. In like manner the good may become deteriorated by time, or toil, or disease, or other accident (the only real doing ill is to be deprived of knowledge), but the bad man will never become bad, for he is always bad; and if he were to become bad, he must previously have been good. Thus the words of the poem tend to show that on the one hand a man cannot be continuously good, but that he may become good and may also become bad; and again thatThey are the best for the longest time whom the gods love.

All this relates to Pittacus, as is further proved by the sequel.

For he adds:

Therefore I will not throw away my span of life to no purpose in searching after the impossible, hoping in vain to find a perfectly faultless man among those who partake of the fruit of the broad-bosomed earth: if I find him, I will send you word.

(this is the vehement way in which he pursues his attack upon Pittacus throughout the whole poem):

But him who does no evil, voluntarily I praise and love;-not even the gods war against necessity.